picture of color wheel This is a topic that many people are looking for. khurak.net is a channel providing useful information about learning, life, digital marketing and online courses …. it will help you have an overview and solid multi-faceted knowledge . Today, khurak.net would like to introduce to you Color Theory in Film Color Psychology for Directors: Ep5 – YouTube. Following along are instructions in the video below:
“You be able to sleep nin. A room painted bright red might be hard right. Right. I m on no sleep.
No sleep. You don t. Know what nit s in their colors. Elicit.
Emotions. And have a psychological neffect on people so unless you re shooting nin black and white in which case definitely nreview our video on tone. This is the video for you because today we re ngoing to show you how colors theory in film can be nused to create mood. But you can go beyond placing a nblue tint over an entire sequence you can determine specifically nwhat type of blue you want there are three factors nin determining color they are hue which is the color itself saturation the nintensity of the color and brightness how light or dark.
The color is with just hue saturation and nbrightness hsb for short..
You can create a complex color nscheme rather simply and go from being njust. Another director to being a true visual artist first up hue. Some movies choose nan affinity of hue utilizing a monochromatic ncolor scheme. Those are just fancy ways of saying nthat a movie is mostly one color or neighboring colors non.
A color wheel also known as analogous colors. The matrix is a classic nexample of a movie that mostly uses one color that color green. Why the movie takes place ninside of a digital matrix and we associate ngreen with code plus. The green and the matrix has na certain sickly quality to it reflecting the overall state nof affairs in that world welcome to the ndesert of the real next up is the s in nhsb saturation.
This movie used a post production nprocess called bleach bypass. Which has a deeply ndesaturating affect the color is drained nout of these images it gives the world of the movie. A ncold. Rude gritty sort of look it also becomes reminiscent nof the faded photographs the black and white newsreels nof.
The period itself it takes us back in time the final of the nthree is brightness early in the series..
We covered brightness in terms nof. A film s overall tone. But brightness can be used to naffect individual colors. As well sometimes a movie elects to nuse entirely bright colors particularly movies from nthe technicolor era.
Back then bright. Vivid colors were nreason to see the movies alone on the other hand nduring darker scenes like this you can almost forget that nthis movie was shot in color. Now. Let s see what it s like nwhen one movie does both when the destiny of a ngreat fortune is at stake men s greed spreads like a npoison in the bloodstream.
It s using all darker colors contrast that with this scene. Where all the colors are bright in both instances every element you see was nchosen for its darker color or lighter color to create na contrast within the film wow so by utilizing hue nsaturation and brightness you can precisely. Nidentify. The right colors to create certain nfeelings in your audience.
Often seem nlively and exciting darker images. Often nseem dramatic and on it goes. But rules were nmade to be broken. I don t make the rules.
Okay. I ll make it as neasy for you as i can you get to decide nwhat the colors mean it s your movie. It s your world and so nmake it your color palette. How do you make a violent nred the color of blood feel like something else in her spike.
Jonze nuses red to connote love. He does it by associating. The ncolor with the lead theodore as he searches for love and ultimately nfinds it in his operating system. Hello.
I m here oh black is for bad guys nlike darth vader right well sure nuntil it s for batman..
I m batman you get to make your own rules look at how wes anderson nuses saturated colors to make otherwise. Mundane scenes nabout. A family pop almost like a comic book while actual comic book films ground there high concept plots in ngritty realistic tones with the wealth of options npost production now provides it s easier than ever to ncontrol the color palette of course color grading can be nan expensive lengthy process and it rarely can nmake up for project that lacked a thoughtful color ndesign strategy in pre production want to dive deeper check the link to grab our nfree film color theory ebook for more examples nof color. Schemes and see how some of your favorite nfilms.
Designed their color palettes to elicit. Powerful moods. See you in the next video music. ” .
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Have you ever wondered about Color theory in Film?
You film color palette matters to the audience. It s not only aesthetic, it also affects storytelling. This video takes you through director s choices when it comes to colorization in their film works and how those colors get different emotional responses from the audience.
We break down color in TV, movie, and use film theory to extract meaning from specific choices. There are three components of color.
Hue – which is the color.
Saturation – the intensity of the color
Brightness – the brightness of the color
With just hue, saturation, and brightness (HSB for short) you can create a complex color scheme rather simply, and go from being just another director to a being a true visual artist.
By utilizing hue, saturation, and brightness you can precisely identify the right color create certain feelings in your audience.
Bright images often seem lively and exciting. Darker images often seem dramatic. And on it goes
But rules were made to be broken.
What are some of your favorite moments of color in media and entertainment?
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Color theory in film, How to color a film, color psychology in films, color treatment, color psychology, color in storytelling, color wheel in film, movie li…